Orhan Pamuk

That said, the drama we see unfolding is not, I think, a grotesque and inscrutable drama peculiar to Turkey; rather, it is an expression of a new global phenomenon that we are only just coming to acknowledge and that we must now begin, however slowly, to address. In recent years, we have witnessed the astounding economic rise of India and China, and in both these countries we have also seen the rapid expansion of the middle class, though I do not think we shall truly understand the people who have been part of this transformation until we have seen their private lives reflected in novels. Whatever you call these new élites—the non-Western bourgeoisie or the enriched bureaucracy—they, like the Westernizing élites in my own country, feel compelled to follow two separate and seemingly incompatible lines of action in order to legitimatize their newly acquired wealth and power. First, they must justify the rapid rise in their fortunes by assuming the idiom and the attitudes of the West; having created a demand for such knowledge, they then take it upon themselves to tutor their countrymen. When the people berate them for ignoring tradition, they respond by brandishing a virulent and intolerant nationalism. The disputes that a Flaubert-like outside observer might call bizarreries may simply be the clashes between these political and economic programs and the cultural aspirations they engender. On the one hand, there is the rush to join the global economy; on the other, the angry nationalism that sees true democracy and freedom of thought as Western inventions.

- Orhan Pamuk, Winner of 2006 Nobel Prize in literature. Taken from the article in The New Yorker, which you can read in full here

Also, from the same source - The Pamuk Apartments

Update: Have attempted to translate this entire article in Marathi. You can read it here.